Search: Starring Judy Davis

The film has the maverick nature of originality, constantly surprising, never explaining.

A fluffy and charming confection that has an enticing exterior without much substance on the inside.

Branagh has none of Allen's flair for comedy.

Dark Blood is an offbeat film no one would call formally perfect, yet the depths it gutsily goes for and its strange vein of comedy make it one to think about and enjoy

Being prolific implies over-exposure and repetition. Not with Allen. He gets better. He takes more risks.

The thematic links are remarkable, because they reveal and conceal simultaneously.

Whilst some parts of the story feel a bit too contrived, the film’s mixture of good-heartedness and fierce humour carries it easily over most of the bumps in the road

It doesn't have to be such a cliché, and Billy Connolly tries his damnedest to stop it, but the little guy versus the big corporation is as old as banana in your ear jokes.

With its genuine Versailles locations and sumptuous costuming, Marie Antoinette is a feast for the eyes.

Jim Isaacs's creatures are remarkable, as is the film - unique, disturbing, wicked.

Jones has been turning in consistently good work for years now and it’s high time he had a role like this. The art of it lies in how he keeps us alert to his character’s dangerous potential without ever letting us lose sight of his humanity.

The performances are excellent, with Spencer conveying the emotions and suffering Tony endures admirably and Rush, as his alcoholic, abusive father is wonderful.

The film becomes a road trip, avoiding many of the usual booby traps, although not all.